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Water Mixable Oil Painting
(Doro Simone)
Either a set of water mixable oils
or: Cerulean Blue, Ultramarine Blue, Cadmium Yellow,
Alizarin Crimson, Cadmium Red and 2 tubes of Titanium White.
*Water Mixable Medium or Water Mixable Linseed oil
*A paper paletter for oil paint.
*3 small canvas boards (or canvas paper)
*1 16x20 stretched canvas
*Masters soap
*Also bring paper towels and white rags. |
Oil/Acrylic Painting
(Doro Simone)
Paint: Cerulean Blue, Ultramarine or
Colbalt Blue, Alizarin Crimson, Cadmium Red, Cadmium Yellow,
Titanium White (2 tubes) Raw Umber any other colors you
would like
Paint Pallete for oil (disposable is fine)
Refined Linseed oil or Oil medium
Long Handled brushes for oil or acrylic sizes vary so about
a 2,6, 8 flats and one round about size 4
(small medium and larger size brushes)
Masters soap (hand soap will also clean brushes)
Palette knife (one with a diip not a flat knife)
Surfaces to paint on such as Canvas Paper or boards or
stretched canvas.
Beginners should be prepared the first night with at least a
canvas board (11x14) and paint.
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starting to draw
(John Nutter)
4 pencils: All-purpose graphite HB; a thicker, softer lead
6B graphite
pencil; medium grade charcoal pencil (encased in a
paper cylinder); pastel pencil
4 erasers: soap eraser; pink eraser in pencil form; a bigger
pink eraser
with wedge-shaped ends; square of kneaded rubber
drawing A spiral-bound sketching or drawing pad along with a
wooden
board drawing board larger than the drawing pad size.
and pad |
beginner pastels
(John Nutter)
24 sheet pastel pad / Canson Mi-Tientes assorted colors
(12x16)
Box of soft pastels / assorted colors (15 sticks)
Two charcoal pencils (B & 2b)
Disposable latex rubber gloves (optional)
Kneaded eraser, masking tape, ruler, and small paper clamps
Masonite board (19 in. square)
Glassine paper to cover work
Drop cloth for protection of floor
Sketch book
Bring some of your favorite landscape photos
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Collage w/ Recycled Materials
(Geralyn Giarmo)
A pencil and a magic rub eraser
A pair of scissors and an X-Acto knife
Recycled materials: magazines, fabric, newspaper, wrapping
paper, etc.
Adhesives: Elmer’s glue or rubber cement, small-medium
brush, & fabric glue
Recycled Cardboard or thin grey or tan chipboard
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Printmaking
(Geralyn Giarmo)
A pencil and a magic rub eraser
A pair of scissors and an X-Acto knife
Recycled materials: magazines, fabric, newspaper, wrapping
paper, etc.
Adhesives: Elmer’s glue or rubber cement, small hot glue
gun, small-medium brush, & fabric glue
Recycled Cardboard or thin grey or tan chipboard
One 9x12” piece of plexi-glass
One roll of paper towel
One bucket or container to transport/store materials
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Assemble an Artwork
(Geralyn Giarmo)
A pencil and a magic rub eraser
A pair of scissors and an X-Acto knife
Recycled materials: magazines, fabric, newspaper, wrapping
paper, etc.
Adhesives: Elmer’s glue or rubber cement, small hot glue
gun, small-medium brush, & fabric glue
Recycled Cardboard or thin grey or tan chipboard
One roll of paper towel
One container or bucket to transport / store supplies
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Oil
Painting Workshop
(Dianne P. Miller)
Winsor Newton Artists Series or Rembrandt
brand paints in Best quality (NOT student series paints &
not Grumbacher) in the following colors:
Titanium White, Cadmium Red Med,
Alizarin Crimson, Cadmium Yellow Deep, Cadmium Lemon Yellow,
Yellow Ochre, Viridian Green, Ultramarine Blue,
and Cerulean Blue.
Every color on this palette is important. Please try to have
them all.
Easel (if you have one), canvas- 9 x 12 or 11 x 14, brushes,
turpentine (Turpenoid Natural) and paper towels. |
art as a verb
(Heidi Mayo)
French style easel or other easily prorable
easel
piece of foam core or drawing board
Canson mi tientes paper (no white)
or other pastels surfaces such as Art Spectrum colorfix or
Wallis sanded paper
Rembrandt pastels (half stick set of 30 minimum) or other
soft pastels such as Unison, Terry Ludwig, Sennelier...
Nu Pastels if you have them
soft vine charcoal
pastel pencils (optional)
glassine paper to cover work
(or a pad of tracing paper to slip work into)
In My Basket:
kneaded eraser
a soft rag (flannel is good)
latex gloves (optional)
masking tape
blending stumps (optional)
Color Shapers (optional)
water bottle (in case you get thirsty)
digital camera (use as view finder, take reference shot)
bug spray if necessary
pencil sharpener (optional - you can use mine)
|
abstract expressionist painting
(Sarah Washburn)
Acrylic Paint (liquitex basics 4oz. tubes)
All the primary, secondary, and trinary colors
brushes (square and round, no larger than 1 inch)
Palettes Palette knives (metal or plastic)
Water buckets
Gesso (1 gallon bucket)
Sumi Ink (large bottle)
Any textured objects or objects that create texture (koosh
ball or sticks) |
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watercolor for beginners
(Phyllis McDonough
)
9x12 or 11x15 sketch pad
2B pencils
tracing paper, transfer paper
transparent watercolors
alizaron crimson, cadmium red medium,
cobalt blue, thalo blue, lemon and gamboge yellow, burnt
sienna.
11x15 140 lb. cold press block or sheets
torn in quarters (2 sheets for 8 papers total)
2" sable flat
1" sable flat
#8 or #10 round
script liner sable #3 or 4
palette, water jar, paper towels, eraser,
ruler, photos of potential paintings.
Any questions, please call 508 746-7222
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life
drawing
(Sean
Cassidy)Compressed
charcoal sticks
Vine Charcoal
Conte crayons
18x24 drawing pad
18x24
newsprintone or two small
watercolor brushes (round)
Charcoal pencil
Graphite Pencil (2B)
(the below two may already be on the list, but I
want to make
sure they get both kinds of charcoal.)
|
watercolors
(Becky
Haletky)
watercolors (good quality, any brand in tubes)
cadmium red, cadmium yellow, pthalo green, pthalo blue,
ultramarine blue, cerulean blue, yellow ochre, burnt sienna,
alizarin crimson.
brushes
1 inch flat, 1/2 inch flat sables
rounds #12, 8, 4, 2, and 0 sable, sablette or sabline
rigger and fan brush optional
paint tray with small compartments and large for mixing.
Covered or folding is good
water container, pencils, 3/4 masking tape, paper towels
watercolor block is preferred, acid free, any brand.
Instructor uses rough, but any surface is fine. If
painting a full sheet, stretching the paper is recommended.
masking fluid is optional
easel for outdoor use. |
Portfolio
(Geralyn Giarmo)
An HB drawing pencil or a mechanical pencil
that holds HB leads
Magic rub eraser
An 18x24 Strathmore Drawing pad.
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Works on Paper
(Geralyn Giarmo)
9x12” sketch pad
2B drawing pencil
Magic Rub eraser
Elmer’s Glue
Recycled magazines and newspapers
Recycled objects
Scissors
Cardboard (recycled, if you can get it) or chipboard
Brushes (one #10 or #12, one medium and one small)
Container to transport materials, a roll of paper towel, and
Dawn liquid soap to soak brushes |
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Quilting
MARINER’S COMPASS
(Ann Lainhart)
These instructions are for a 12” 16 point
split-point compass. The Mariner’s Compass is not a block
for beginning quilters. It requires accurate cutting and
piecing and your first attempt may not lay flat, but it is
such a beautiful block that it is worth the effort.
Supplies for drafting the compass:
Drawing paper at least 14” square
Mechanical pencil or several very sharp pencils
Protractor – should be one at least 5” or 6” in diameter
Compass
12” ruler – one where the edge is on the paper, an ordinary
ruler or a drafting ruler. Do not try to use an 1/8” thick
quilter’s ruler; the thickness may throw off the accruacy of
your drafted compass
Thick template plastic – if possible with a grid – do not
try to use the kind that comes rolled up
Ultra-fine Sharpie pen – I find these are the best for
marking on the template plastic
Masking tape
Supplies for piecing the compass:
˝ yard each of a medium and a dark fabric for the compass
points
˝ yard light background fabric; cut it along the fold, so
you have a fat quarter to cut pieces from and a fat quarter
for the square into which the compass will be set
Thread to match the medium fabric and to match the
background fabric
Basic sewing supplies
Sewing machine
Rotary cutter, mat, and ruler |
Quilting
STRIP PIECED CHINESE LATTICE
WORKSHOP
(Ann Lainhart)
Students choose from one of two Chinese Lattice designs to
make. My website shows these two choices,
Garden of Happiness and Oriental Fern Garden.
Supply list:
1 yard each of background fabric and lattice fabric. Make
sure the background fabric is a busy print that will not
show seam lines and make sure there is good contrast between
the background and lattice fabrics.
Thread to match the lattice fabric.
Rotary cutter; we will be cutting quite a few strips, so a
new blade might be good idea.
Mat; 18” by 24” size works best for cutting the initial
strips, but smaller ones may be used later. In fact, two
students could share an 18” by 24” mat as long as one of
them also had a smaller one.
6” by 24” ruler and any smaller ones you have.
Sewing machine
Basic sewing supplies
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Weekend Watercolor Workshop
(Donna
Jonas)
Students should plan to bring lunch or $
When you
sign up, she will contact you to go over supplies! |
intermediate drawing
(Kendra D'Angora)
Large Pad Recycled Sketch
Large Pad of tracing Paper
these should be the same size
Set of Colored Pencils (as many colors as possible, not
necessary to spend lots of $)
Set of Graphite
Kneaded Eraser |
|
Digital Photo Primer
(Wes
Ennis)
Bring
digital camera and manual
|
Photographic Field Trip
(Wes
Ennis)
Bring digital camera and tripod
|
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Portraiture and Lighting
(Wes
Ennis)
Bring digital camera
Photoshop Demystified
(Wes Ennis)
Bring 2-3 digital photo files
|
Furniture Painting
(Deb
Bosworth)
Bring your own furniture to paint (unfinished
or unprimed is okay)
fine grit sand paper, paint brushes all sizes if you have
them. If
you already have an idea for your piece feel free to bring
in any stencils,
acrylic paints, base or top coat paints you have to get
started.
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sculpture
(Lauren Jezierski)
Tuition includes clay, paints and stains.
Students are asked to a clean, empty
spray bottle, a mirror (for self portrait) and a clay
tool set available at Golden Gull Studios. They
may also bring any wire and found objects to finish
their piece.
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colored pencil portrait drawing
(Kendra D'Angora)
11x14 or larger drawing pad
colored pencils, any good quality. Instructor uses
Prism.
kneaded erasers
photo
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oil/acrylic painting
(Rita Brace)Oil
or Acrylic, Cad. Yellow Light, Yellow Ochre, Cad. Red Light,
Alizarin, Viridian Green, Ultramarine Blue and a large tube
of Titanium White, Medium, Portable Easel, Palette, Paper
towels and a few small Canvas up to11x14 other supplies and
colors people already have will be fine.
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oil pastels
(Patricia Isaac)
Bring oil pastels if you have them (any brand).
Canson MiTientes paper or your preferred surface.
I will bring my pastels which you can try out, but if you
want to get some Craypas Expressionist to have on hand that
would be fine. I'll also bring some smaller pieces of the
more expensive brands of paper.
A medium size bristle brush, paper tortillions, and a light
color prismacolor pencil. |
advanced watercolor
(Tony Visco)
Good paints (no student grade)
Red (one warm, one cool)
alizarin crimson
cadmium red
Yellow
cadmium light,
lemon or pale
new gamboge
Blue
cobalt or cerulean
french ultramarine
Earth colors
yellow ochre or
raw sienna
burnt sienna
sepia or burnt
umber
Brushes
2 round, #5 and #10, flat 1/2 1"
synthetic or red sable
1 rigger
knife, pallet knife
masking tape
water container
surface to paint on (smooth and a
little larger than paper)
bull dog clips
flat sponge
paper towels
tissue
mixing pallet with closed top
good rag watercolor paper minimum 1/2
sheet 15X22 (Arches, Winsor Newton)
140 lb any brand
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drawing review for pastel artists
(Donna Rossetti-Bailey)
· Hard Pastels – NuPastel or Prismacolor Brand – not
required, but helpful
· Soft Pastels –Good brands are Rembrandt, Unison,
Sennelier, Terry Ludwig, Winsor & Newton, Great American,
etc. ˝ sticks are fine. If you have iridescent pastels be
sure to bring them!
· Pitt Brand Pens in “Shades of Gray”: not necessary, but
helpful if you have them for doing value studies. Set of 6,
about $7.99 from ASW
· Kneadable eraser and a regular eraser
· Vine charcoal
· Newsprint Pad
· Sketchbook and sketching tools: including a RULER, HB, 2B,
and 4B pencils
· Pastel Paper – Bring a few pieces of pastel paper or
surfaces you like to work with: Canson, Wallis, Art
Spectrum, Rives BFK or 300 pound hot press watercolor paper
prepared with a ground, etc.
· Tape or clips to keep your paper attached to a drawing
board
· Drawing board and easel
· A small bag or container of corn meal to clean your
pastels
· An apron
· A soft cloth and an old towel for underneath your easel.
· Latex gloves to protect your hands (if you wear them)
· Old bristle brushes – not good watercolor brushes.
· A photograph that has some type of architecture in it: a
house, barn, shed, etc. |
watercolor workshops
(Michael Domina)Watercolor paper:
140lb. cold press paper. I prefer working on Arches,
quarter-sheet size 15 x 11 or larger. Use whatever kind you
prefer, but a quality brand is recommended.
Sketchbook: For planning paintings, sketches and taking
notes. Please write your name and address inside, in case
it's misplaced.
Paints: Tube paints in any size, Divinci, American Journey
or Winsor Newton are good brands, but any brand will do.
Alizarin crimson, cadmium red, french ultramarine, antwerp
or winsor blue, new gamboge, raw sienna and burnt sienna.
Optional colors; cadmium orange, winsor red, cobalt blue and
violet or your choice.
Palette: A palette with deep wells and a cover to keep paint
moist is best. My favorites are the Pike andCheap Joe’s
palette.
Brushes: Quality not Quantity! To start, have a 1" flat,
1/2" flat, #8 or #10 round. Optional; old tooth brush,
bristle fan brush, #4 rigger, 2" flat. Robert Simmons brand
are good brushes at a modest price, build your supply as you
can afford them.
Odds & ends: Water bucket, tracing paper, graphite paper,
tissue or paper towels, small natural sponge, single edge
razor blade or old credit cards, salt, ruler, soft leaded
pencils (3-9B), kneaded eraser, masking fluids, spray bottle
and pieces of plastic wrap.
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