Plymouth Guild, Inc. for the arts - Plymouth Center for the Arts

Class Materials Lists

Scroll down to find your class
(older supply lists are archived in the table below)

Scroll down to find your class (older supply lists are archived in the table below) 

Supply lists are alphabetical by the last name of the instructor

Christine Bodnar

Pastel
Sanded pastel paper or surface of choice (size is students preference)
Variety of pastels from light to darks (refer to your photo for color choices)
Easel
Disposable latex gloves (provided)
Masking tape
Glassine to protect work after session
Drop cloth ( floor protection )
Sketch book
Landscape photos of choice (instructor will provide some also)
small container for alcohol or water (under-painting) small to medium paint brushes
 Edwina Caci

Click here for Edwina Caci's supply lists
 
Mary Callahan
WATERCOLOR l. Paints - I prefer Winsor Newton Artists Watercolors or DaVinci, but less expensive student grade, Cotman, or Marie’s (from Ocean State) will do.  Colors you need   * Permanent Alizarin Crimson * Winsor violet or mauve or cobalt  * Cadmium Red Light Violet * New Gamboge * Turquoise
Other colors that are nice to have * Aureolin or Cadmium yellow light * yellow ochre or raw sienna * French Ultramarine Blue * Cerulean Blue *Thalo Blue or Winsor Blue or Antwerp * Cobalt Blue Blue * Winsor Red *Thalo or Winsor Green * Burnt Sienna  2. Brushes  * 1 inch and 1/2 inch Aquarelle flat - (Winsor & Newton series 995 are good) * Size 12 Round sable or synthetic * Smaller size brushes (only if you must)  (Utrecht’s #40 wash brush is very nice and also inexpensive)  3. Paper  * D’Arches 140 lb. Cold Press - full sheets (22x30) can be cut to size - this way is  most economical. Blocks are convenient- size 9X12, 12x16; 14x20; or 18x24.  * Fabriano, Waterford, and Lanaquarelle are good papers also. but Arches is my  favorite  4. Support * If you choose a block of paper you don’t need this. To support loose sheets you will need a piece of masonite, or 1/4” thick plexiglass, or a piece of gessoed foam core cut a few inches larger than paper.  5. Masking Tape  6. White Eraser  7. Pencil  8. Paper Towels or old towels, tissues and a kitchen sponge.  9. Water container - cool whip container works well   10. Palette - one with a cover is best - example: The John Pike Palette 

Lilly Cleveland
Basic Watercolor  One full sheet of 140 lb. cold pressed (22” x 30”) watercolor paper (Arches) Brushes – one flat brush (1/2”) and one round (#6) Colors: buy in tubes (Cotman or Grumbacher is fine) 2 Yellows: Lemon, Aureolin (one light and one dark) 2 Reds: Alizarin Crimson, Rose Madder 2 Blues: Cerulean, Ultramarine 2 Browns: Raw Sienna, Burnt Sienna 1 Green: Sap, Hookers (one is enough) Pencil (#2 or softer, higher #). Sketch book (drawing paper is OK). Board or foam core board on which to tape your paper. Tape (masking tape pr clips) Palette OR 2 plastic white plates (to mix watercolors).  Water container with wide mouth (deli container is fine).

Carolyn Ghantous
Beginning Jewelrymaking
Students can use instructor’s tools, or can purchase the following: round-nose pliers,
chain-nose pliers, bent-nose pliers, flush cutters, crimping pliers, (optional flat-nose pliers).

Becky Haletky Creating Unique Landscapes in Watercolor Watercolors (good quality, any brand in tubes) in cadmium red, cadmium yellow, pthalo green, pthalo blue, ultramarine blue, cerulean blue, yellow ochre, burnt sienna, alizarin crimson. Brushes - 1 inch flat, 1/2 inch flat sables rounds #12, 8, 4, 2, and 0 sable, sablette or sabline rigger and fan brush optional Paint tray with small compartments and large for mixing. Covered or folding is good Paper watercolor block is preferred, acid free, any brand. Instructor uses rough, but any surface is fine. If painting a full sheet, stretching the paper is recommended. Easel for outdoor use  Other water container, pencils, 3/4 masking tape (opt), paper towels  


Lily A. Hollowinsky
Beginning Papermaking for Adults
And/or Telling your story through paper making (for seniors 60+)
There is nothing to purchase! BUT if you would like to, you can bring in your own dried flowers, lace, string, (of sentimental value). Pulp and deckles will be provided by instructor.

Alan Iveson
Basic Drawing
Students need #2 pencils, Charcoal pencils 4B 6B, an kneaded eraser. All other supplies will be provided by the instructor.
Calligraphy for Practical Use
Students should purchase a cartridge pen (preferably Schaefer or any other pen with 3 sizes of nibs), ink cartridges (black ink), a ruler, #2 pencil, and eraser.
Black, White and Shades of Grey
Students need #2 pencils, Charcoal pencils 4B 6B, an kneaded eraser. All other supplies will be provided by the instructor.

Ann Lainhart
Line Drawing

Pad of plain paper, mechanical pencil with extra leads, six inch protractor (optional at first class), and triangular architectural ruler (optional at first class).

Mary LoPiccolo Wed. Morning Watercolor  Watercolor supplies of your choice, such as 9x12 or 11x15 sketch pad 2B pencils tracing paper, transfer paper Transparent Watercolors (alizaron crimson, cadmium red medium, cobalt blue, pthalo blue, lemon and gamboge yellow, burnt sienna) 11x15 140 lb. cold press block or sheets torn in quarters (2 sheets for 8 papers total) Brushes: 2" sable flat, 1" sable flat, #8 or #10 round, script liner sable #3 or 4  Palette Photos of potential paintings Other: water jar, paper towels, eraser, ruler 

Robert Mesrop
Watercolor Painting
2 or 3 one half sheets of artist quality watercolor paper ( 15X22 inch)
Pallet with a large mixing area.
All your usual colors. (Preferably not Cotman or Academy brand.)
An assortment of round and flat brushes. The bigger the better.
Paper towels, sponges, etc.

David Monteiro

Plein Air Painting
Recommended Art Materials:
1) Outdoor portable easel (French, pochade, etc.)
2) Oil/Acrylic paints (Each artist should use their personal choice of pallet but
the 3 primary colors and white are required)
3) Assortment of brushes (Each artist should use their personal selection of
brushes but #4-#8 Bright brushes and #6 Round are recommended)
4) 3-5 Canvases (Recommend size: 9x12, no larger than 10x14)
5) Medium (Mineral spirit, Turpentine, Water etc.)
Note: This workshop will introduce the use of “fast drying mediums”.
“Liquin” by Winsor & Newton will be provided.
6) Portable stool/chair, paper towels, container/bag for soiled towels
7) Be prepared for what the forecast is for each day (hat, windbreaker,
sun block, etc.)
In case of inclement weather, the workshop will be held at the Guild for the Arts
on North Street. A color printed image will be provided for each artist to use as a
reference. Compositional decisions and techniques will still be instructed.

John Nutter

Basic Drawing  Beginning Supply List . H pencil (medium hard)  . HB pencil (medium soft) . 2B pencil (very soft) . Drawing paper or sketchbook . Singled-edged razor blade or art knife . Handheld sharpener . Kneaded eraser (gray) . Vinyl eraser (usually white) . 1-inch wide-masking tape . Drawing board

Pen & Ink  One Speedball sketching Pen set.
A single 1oz. Bottle of Higgins Waterproof India Ink.
One Bristol Student Grade Pad. (series 300) by Strathmore
2 ply weight in a smooth surface. 20 sheets 11x14
Students may bring Rapidograph pens if they have them.
Introduction to Pastels 24 sheet pastel pad - Canson Mi-Tientes assorted colors (12”x16”) Box of soft pastels / assorted colors (15 sticks) Two charcoal pencils (B & 2b) Disposable latex rubber gloves (optional) Kneaded eraser, masking tape, ruler, and small paper clamps Masonite board (19 in. square) Glassine paper to cover work Drop cloth for protection of floor Sketch book Bring some of your favorite landscape photos for subject matter for your artwork.

Donna Rossetti-Bailey Soft Pastel Painting

•    Combination of Hard and Soft Pastels
•    Kneadable eraser and a regular eraser
•    Vine charcoal sticks
•    Sketchbook and pencils
•    Pastel Paper and/or other pastel surface –colors of your choice or package of assorted colors.
•    Tape or clips to keep your paper attached to a drawing board
•    Drawing board and portable easel
•    Fine grit sandpaper
•    A soft cloth
•    Latex gloves to protect your hands
•    Alcohol and brushes if you want to underpaint

Additional supplies for Rossetti-Bailey “plein air” painting

•    Baby wipes for clean up
•    Old towel
•    Small table if you want
•    Extra jacket/sweatshirt
•    Comfortable shoes, hat, sunglasses, sunscreen and bug spray
•    Travel box for pastels
•    A chair or stool if you want to sit

 Joanna Ruggiero Moroccan Still Life
Items for the still life. Adult students who are already painting should have the required paints, brushes, newsprint pads, pencils, charcoal, etc. in the studio to take this session. Experience is required. This is not a session for students who do not know how to draw or paint.

Doro Simone
Oil/Acrylic Painting Paint: Cerulean Blue, Ultramarine or Colbalt Blue, Alizarin Crimson, Cadmium Red, Cadmium Yellow, Titanium White (2 tubes) Raw Umber any other colors you would like Paint palette for oil (disposable is fine) Refined Linseed oil or Oil medium (if using oil paint) Variety of small, medium and larger-size long-handled brushes for oil or acrylic (sizes 2, 6, 8 flats and one round about size 4) Masters soap (hand soap will also clean brushes) Palette knife (one with a dip, not a flat knife) Surfaces to paint on such as Canvas Paper or boards or stretched canvas.  Beginners should be prepared the first night with at least a canvas board (11x14) and paint. 

Katherine Smit Getting a Likeness Workshop  Please bring supplies that are particular to your choice of drawing/painting medium.  FOR PASTEL PORTRAITS: large foam core backing board, large sheets Canson MiTientes felt gray, masking tape, soft vine charcoal, kneaded eraser, Nupastels and soft pastels, stick or paintbrush for measuring, (mirror and viewfinder recommended).
 
Sarah Bates Washburn Abstract Expressionism  Acrylic Paint (liquitex basics 4oz. tubes) in all the primary, secondary, and tertiary colors brushes (square and round, no larger than 1 inch) Palettes  Palette knives (metal or plastic) Water buckets Gesso (1 pint) Sumi Ink (large bottle) Any textured objects or objects that create texture (koosh ball or sticks)

OLDER MATERIALS LISTS

Introduction to Pastels
with John Nutter

Box of soft pastels / assorted colors (15 sticks)
Two charcoal pencils (B & 2b)
Disposable latex rubber gloves (optional)
Kneaded eraser, masking tape, ruler, and small paper clamps
Masonite board (19 in. square)
Glassine paper to cover work
Drop cloth for protection of floor
Sketch book
Bring some of your favorite landscape photos for subject matter for your artwork.

Ceramic Handbuilding A-Z
with Julie Papageorge
$95m/ $105nm plus $20 clay supplies
#133 T 6:00-8:30pm 9/22-10/20
#233 T 6:00-8:30pm 11/3-12/8
Fee covers cost of most supplies. Please bring a small bottle of white vinegar, 1-2 cup resealable plastic storage container, and a various textural items such as buttons, lace and shells

Oil Painting
with Dianne Panarelli Miller

viewfinder, canvas, brushes, paint (She says, "I use Rembrant Titanium White, Cad Lemon, Cad Yellow Deep, Cad Red, Alizarin Crimson-(Winsor Newton), Yellow Ochre, Viridian Green, Cerulean Blue, Ultramarine Blue") paper towels, turpentine and anything else you may need to paint.

Beginning Watercolor
with Phyllis McDonough
$107 m/ $118 nm
#114 W 6:30-9:00 pm 9/23-10/21
9x12 or 11x15 sketch pad
2B pencils
tracing paper, transfer paper
Transparent Watercolors (alizaron crimson, cadmium red medium, cobalt blue, pthalo blue, lemon and gamboge yellow, burnt sienna)
11x15 140 lb. cold press block or sheets torn in quarters (2 sheets for 8 papers total)
Brushes: 2" sable flat, 1" sable flat, #8 or #10 round, script liner sable #3 or 4
Palette
Photos of potential paintings
Other: water jar, paper towels, eraser, ruler

New! Basics of Polymer Clay
with Deborah Stephens
Bring your own pasta machine if you have it.
An acrylic roller for polymer clay is available at Joanne’s, Michaels or A.C. Moore; or purchase on line at prairie crafts.com

Basic Drawing with John Nutter
Beginning Supply List
. H pencil (medium hard)
. HB pencil (medium soft)
. 2B pencil (very soft)
. Drawing paper or sketchbook
. Singled-edged razor blade or
art knife
. Handheld sharpener
. Kneaded eraser (gray)
. Vinyl eraser (usually white)
. 1-inch wide-masking tape
. Drawing board

Oil/Acrylic Painting
with Doro Simone
Paint: Cerulean Blue, Ultramarine or Colbalt Blue, Alizarin Crimson, Cadmium Red, Cadmium Yellow, Titanium White (2 tubes) Raw Umber any other colors you would like
Paint palette for oil (disposable is fine)
Refined Linseed oil or Oil medium (if using oil paint)
Variety of small, medium and larger-size long-handled brushes for oil or acrylic (sizes 2, 6, 8 flats and one round about size 4)
Masters soap (hand soap will also clean brushes)
Palette knife (one with a dip, not a flat knife)
Surfaces to paint on such as Canvas Paper or boards or stretched canvas.

Beginners should be prepared the first night with at least a canvas board (11x14) and paint.

Creating Unique Landscapes in Watercolo r
with Becky Haletky
$125 m/ $140 nm
#107 SA 9:00-noon 9/26-10/24
#207 SA 9:00-noon 11/14-12/12
Watercolors (good quality, any brand in tubes) in
cadmium red, cadmium yellow, pthalo green, pthalo blue, ultramarine blue, cerulean blue, yellow ochre, burnt sienna, alizarin crimson.
Brushes - 1 inch flat, 1/2 inch flat sables
rounds #12, 8, 4, 2, and 0 sable, sablette or sabline
rigger and fan brush optional
Paint tray with small compartments and large for mixing. Covered or folding is good
Paper watercolor block is preferred, acid free, any brand. Instructor uses rough, but any surface is fine. If painting a full sheet, stretching the paper is recommended.
Easel for outdoor use
Other water container, pencils, 3/4 masking tape (opt), paper towels

EVEN OLDER LISTS BELOW

Donna Rossetti-Bailey Pastel Painting Workshop, Using Value Studies with Charcoal to Enhance Your Paintings sketchbook or drawing paper and pencils Assorted soft pastels, at least 30 - 45 colors. AC Moore carries a set of Faber Castel 72 half sticks, which is a great buy. Use a store coupon from AC Moore, Michael’s or JoAnn Fabrics for a discount. a few sticks of compressed charcoal and vine charcoal. kneadable earaser and a regular eraser drawing board or surface to work on. Foam core works fine. Tape to attach your paper to your drawing board portable easel - if you don’t have one, you can work flat on a table. a soft cloth gloves to protect your hands if you want to wear them. old towel one large sheet of light colored Canson pastel paper Instructor will provide Rives BFK printmaking paper Not required: Wallis paper or Art Spectrum sanded paper if you would like to work on either of those surfaces.	David Monteiro Plein Air Workshop 1) Outdoor portable easel (French, pochade, etc.) 2) Oil/Acrylic paints (Each artist should use their personal choice of pallet but the 3 primary colors and white are required) 3) Assortment of brushes (Each artist should use their personal selection of brushes but #4-#8 Bright brushes and #6 Round are recommended) 4) 3-5 Canvases (Recommend size: 9x12, no larger than 10x14) 5) Medium (Mineral spirit, Turpentine, Water etc.) Note: This workshop will introduce the use of “fast drying mediums”. “Liquin” by Winsor & Newton will be provided. 6) Portable stool/chair, paper towels, container/bag for soiled towels 7) Be prepared for what the forecast is for each day (hat, windbreaker, sun block, etc.) Keep scrolling...
Elizabeth Geissler Developing Your Unique Style Please bring supplies for any drawing or painting art medium that you are comforable with. For the first class, bring examples of work done from the past, across as many ages as possible. Dig deep for those primary schools images and your most recent work. We can learn from how we saw things as a child as well as how we see today. Subsequent classes will involve mechanisms for searching inward to discover what is most important to each artist and how to present that idea. By finding other works that speak to them, looking at other artist imagery that inspire and using tools I have found productive in making a powerful personal statement we will use each class to add to our storehouse of exercises and techniques that lead to discovering more about yourself and thus your artwork.	Keep scrolling...
Christine Pierce Digital Photography: digital camera, camera-specific software if available All other materials will be provided, including handouts. Students are encouraged to participate and share their work at the Plymouth Guild for the Arts Digital Photography Homepage.	Kathryn Smit Portraiture Workshop: Please bring supplies that are particular to your choice of of drawing/painting medium.
David Johnson - 5 Essential Features of Every Powerful Painting Please bring supplies that are particular to your choice of painting medium (watercolor/acrylic/oil).	Dianne P. Miller's oil painting: viewfinder, canvas, brushes, paint (She says, "I use Rembrant Titanium White, Cad Lemon, Cad Yellow Deep, Cad Red, Alizarin Crimson-(Winsor Newton), Yellow Ochre, Viridian Green, Cerulean Blue, Ultramarine Blue") paper towels, turpentine and anything else you may need to paint.
Durante Basic Drawing: 18x24 drawing pad (not news print) drawing pencils eraser charcoal	Durante Monotype Class: BFK printing paper ( can be purchased at Michaels)
Works on Paper with Geralyn Giarmo 9x12” sketch pad (with removable pieces of paper) 2B drawing pencil Magic Rub eraser Elmer’s Glue Recycled magazines and newspapers Recycled objects Scissors rubber roller or brayer Cardboard (recycled, if you can get it) or chipboard Brushes (one #10 or #12, one medium and one small) Container to transport materials, a roll of paper towel, and Dawn liquid soap to soak brushes	Portfolio Prep with Geralyn Giarmo HB drawing pencil or a mechanical pencil that holds HB leads Magic rub eraser An 18x24 Strathmore Drawing pad. Scissors Glue Charcoal pencil Vine charcoal
Afternoon Cartoons with Christine Lundy Sketch paper/pads, pencils, colored pencils, colored markers, black fine tip and broad tip markers, radiant watercolors (Luma or Dr. Martins), black ink, hot press watercolor or illustration board.	beginner pastels (John Nutter) 24 sheet pastel pad / Canson Mi-Tientes assorted colors (12x16) Box of soft pastels / assorted colors (15 sticks) Two charcoal pencils (B & 2b) Disposable latex rubber gloves (optional) Kneaded eraser, masking tape, ruler, and small paper clamps Masonite board (19 in. square) Glassine paper to cover work Drop cloth for protection of floor Sketch book Bring some of your favorite landscape photos
Water Mixable Oil Painting (Doro Simone) Either a set of water mixable oils or: Cerulean Blue, Ultramarine Blue, Cadmium Yellow, Alizarin Crimson, Cadmium Red and 2 tubes of Titanium White. Water Mixable Medium or Water Mixable Linseed oil A paper paletter for oil paint. 3 small canvas boards (or canvas paper) 1 16x20 stretched canvas Masters soap Also bring paper towels and white rags.	Oil/Acrylic Painting (Doro Simone) Paint: Cerulean Blue, Ultramarine or Colbalt Blue, Alizarin Crimson, Cadmium Red, Cadmium Yellow, Titanium White (2 tubes) Raw Umber any other colors you would like Paint Pallete for oil (disposable is fine) Refined Linseed oil or Oil medium Long Handled brushes for oil or acrylic sizes vary so about a 2,6, 8 flats and one round about size 4 (small medium and larger size brushes) Masters soap (hand soap will also clean brushes) Palette knife (one with a diip not a flat knife) Surfaces to paint on such as Canvas Paper or boards or stretched canvas. Beginners should be prepared the first night with at least a canvas board (11x14) and paint.
starting to draw (John Nutter) 4 pencils: All-purpose graphite HB; a thicker, softer lead 6B graphite pencil; medium grade charcoal pencil (encased in a paper cylinder); pastel pencil 4 erasers: soap eraser; pink eraser in pencil form; a bigger pink eraser with wedge-shaped ends; square of kneaded rubber drawing A spiral-bound sketching or drawing pad along with a wooden board drawing board larger than the drawing pad size. and pad	Oil Painting Workshop (Dianne P. Miller) Winsor Newton Artists Series or Rembrandt brand paints in Best quality (NOT student series paints & not Grumbacher) in the following colors: Titanium White, Cadmium Red Med, Alizarin Crimson, Cadmium Yellow Deep, Cadmium Lemon Yellow, Yellow Ochre, Viridian Green, Ultramarine Blue, and Cerulean Blue. Every color on this palette is important. Please try to have them all. Easel (if you have one), canvas- 9 x 12 or 11 x 14, brushes, turpentine (Turpenoid Natural) and paper towels.
Collage w/ Recycled Materials (Geralyn Giarmo) A pencil and a magic rub eraser A pair of scissors and an X-Acto knife Recycled materials: magazines, fabric, newspaper, wrapping paper, etc. Adhesives: Elmer’s glue or rubber cement, small-medium brush, & fabric glue Recycled Cardboard or thin grey or tan chipboard	Printmaking (Geralyn Giarmo) A pencil and a magic rub eraser A pair of scissors and an X-Acto knife Recycled materials: magazines, fabric, newspaper, wrapping paper, etc. Adhesives: Elmer’s glue or rubber cement, small hot glue gun, small-medium brush, & fabric glue Recycled Cardboard or thin grey or tan chipboard One 9x12” piece of plexi-glass One roll of paper towel One bucket or container to transport/store materials
Assemble an Artwork (Geralyn Giarmo) A pencil and a magic rub eraser A pair of scissors and an X-Acto knife Recycled materials: magazines, fabric, newspaper, wrapping paper, etc. Adhesives: Elmer’s glue or rubber cement, small hot glue gun, small-medium brush, & fabric glue Recycled Cardboard or thin grey or tan chipboard One roll of paper towel One container or bucket to transport / store supplies	abstract expressionist painting (Sarah Washburn) Acrylic Paint (liquitex basics 4oz. tubes) All the primary, secondary, and trinary colors brushes (square and round, no larger than 1 inch) Palettes Palette knives (metal or plastic) Water buckets Gesso (1 gallon bucket) Sumi Ink (large bottle) Any textured objects or objects that create texture (koosh ball or sticks)
art as a verb (Heidi Mayo) Click here for Heidi Mayo's supplies list	watercolors (Becky Haletky) watercolors (good quality, any brand in tubes) cadmium red, cadmium yellow, pthalo green, pthalo blue, ultramarine blue, cerulean blue, yellow ochre, burnt sienna, alizarin crimson. brushes 1 inch flat, 1/2 inch flat sables rounds #12, 8, 4, 2, and 0 sable, sablette or sabline rigger and fan brush optional paint tray with small compartments and large for mixing. Covered or folding is good water container, pencils, 3/4 masking tape, paper towels watercolor block is preferred, acid free, any brand. Instructor uses rough, but any surface is fine. If painting a full sheet, stretching the paper is recommended. masking fluid is optional easel for outdoor use.
watercolor for beginners (Phyllis McDonough ) 9x12 or 11x15 sketch pad 2B pencils tracing paper, transfer paper transparent watercolors alizaron crimson, cadmium red medium, cobalt blue, thalo blue, lemon and gamboge yellow, burnt sienna. 11x15 140 lb. cold press block or sheets torn in quarters (2 sheets for 8 papers total) 2" sable flat 1" sable flat #8 or #10 round script liner sable #3 or 4 palette, water jar, paper towels, eraser, ruler, photos of potential paintings. Any questions, please call 508 746-7222	life drawing (Sean Cassidy) Compressed charcoal sticks Vine Charcoal Conte crayons 18x24 drawing pad 18x24 newsprint one or two small watercolor brushes (round) Charcoal pencil Graphite Pencil (2B) (the below two may already be on the list, but I want to make sure they get both kinds of charcoal.)
	sculpture (Lauren Jezierski) Tuition includes clay, paints and stains. Students are asked to a clean, empty spray bottle, a mirror (for self portrait) and a clay tool set available at Golden Gull Studios. They may also bring any wire and found objects to finish their piece.

Quilting MARINER’S COMPASS (Ann Lainhart) These instructions are for a 12” 16 point split-point compass. The Mariner’s Compass is not a block for beginning quilters. It requires accurate cutting and piecing and your first attempt may not lay flat, but it is such a beautiful block that it is worth the effort. Supplies for drafting the compass: Drawing paper at least 14” square Mechanical pencil or several very sharp pencils Protractor – should be one at least 5” or 6” in diameter Compass 12” ruler – one where the edge is on the paper, an ordinary ruler or a drafting ruler. Do not try to use an 1/8” thick quilter’s ruler; the thickness may throw off the accruacy of your drafted compass Thick template plastic – if possible with a grid – do not try to use the kind that comes rolled up Ultra-fine Sharpie pen – I find these are the best for marking on the template plastic Masking tape Supplies for piecing the compass: ½ yard each of a medium and a dark fabric for the compass points ½ yard light background fabric; cut it along the fold, so you have a fat quarter to cut pieces from and a fat quarter for the square into which the compass will be set Thread to match the medium fabric and to match the background fabric Basic sewing supplies Sewing machine Rotary cutter, mat, and ruler	Quilting STRIP PIECED CHINESE LATTICE WORKSHOP (Ann Lainhart) Students choose from one of two Chinese Lattice designs to make. My website shows these two choices, Garden of Happiness and Oriental Fern Garden. Supply list: 1 yard each of background fabric and lattice fabric. Make sure the background fabric is a busy print that will not show seam lines and make sure there is good contrast between the background and lattice fabrics. Thread to match the lattice fabric. Rotary cutter; we will be cutting quite a few strips, so a new blade might be good idea. Mat; 18” by 24” size works best for cutting the initial strips, but smaller ones may be used later. In fact, two students could share an 18” by 24” mat as long as one of them also had a smaller one. 6” by 24” ruler and any smaller ones you have. Sewing machine Basic sewing supplies
Weekend Watercolor Workshop (Donna Jonas) Students should plan to bring lunch or $ When you sign up, she will contact you to go over supplies!	intermediate drawing (Kendra D'Angora) Large Pad Recycled Sketch Large Pad of tracing Paper these should be the same size Set of Colored Pencils (as many colors as possible, not necessary to spend lots of $) Set of Graphite Kneaded Eraser
Digital Photo Primer (Wes Ennis) Bring digital camera and manual	Photographic Field Trip (Wes Ennis) Bring digital camera and tripod
Portraiture and Lighting (Wes Ennis) Bring digital camera Photoshop Demystified (Wes Ennis) Bring 2-3 digital photo files	Furniture Painting (Deb Bosworth) Bring your own furniture to paint (unfinished or unprimed is okay) fine grit sand paper, paint brushes all sizes if you have them. If you already have an idea for your piece feel free to bring in any stencils, acrylic paints, base or top coat paints you have to get started.
	colored pencil portrait drawing (Kendra D'Angora) 11x14 or larger drawing pad colored pencils, any good quality. Instructor uses Prism. kneaded erasers photo
oil/acrylic painting (Rita Brace) Oil or Acrylic, Cad. Yellow Light, Yellow Ochre, Cad. Red Light, Alizarin, Viridian Green, Ultramarine Blue and a large tube of Titanium White, Medium, Portable Easel, Palette, Paper towels and a few small Canvas up to11x14 other supplies and colors people already have will be fine.	oil pastels (Patricia Isaac) Bring oil pastels if you have them (any brand). Canson MiTientes paper or your preferred surface. I will bring my pastels which you can try out, but if you want to get some Craypas Expressionist to have on hand that would be fine. I'll also bring some smaller pieces of the more expensive brands of paper. A medium size bristle brush, paper tortillions, and a light color prismacolor pencil.
advanced watercolor (Tony Visco) Good paints (no student grade) Red (one warm, one cool) alizarin crimson cadmium red Yellow cadmium light, lemon or pale new gamboge Blue cobalt or cerulean french ultramarine Earth colors yellow ochre or raw sienna burnt sienna sepia or burnt umber Brushes 2 round, #5 and #10, flat 1/2 1" synthetic or red sable 1 rigger knife, pallet knife masking tape water container surface to paint on (smooth and a little larger than paper) bull dog clips flat sponge paper towels tissue mixing pallet with closed top good rag watercolor paper minimum 1/2 sheet 15X22 (Arches, Winsor Newton) 140 lb any brand	drawing review for pastel artists (Donna Rossetti-Bailey) · Hard Pastels – NuPastel or Prismacolor Brand – not required, but helpful · Soft Pastels –Good brands are Rembrandt, Unison, Sennelier, Terry Ludwig, Winsor & Newton, Great American, etc. ½ sticks are fine. If you have iridescent pastels be sure to bring them! · Pitt Brand Pens in “Shades of Gray”: not necessary, but helpful if you have them for doing value studies. Set of 6, about $7.99 from ASW · Kneadable eraser and a regular eraser · Vine charcoal · Newsprint Pad · Sketchbook and sketching tools: including a RULER, HB, 2B, and 4B pencils · Pastel Paper – Bring a few pieces of pastel paper or surfaces you like to work with: Canson, Wallis, Art Spectrum, Rives BFK or 300 pound hot press watercolor paper prepared with a ground, etc. · Tape or clips to keep your paper attached to a drawing board · Drawing board and easel · A small bag or container of corn meal to clean your pastels · An apron · A soft cloth and an old towel for underneath your easel. · Latex gloves to protect your hands (if you wear them) · Old bristle brushes – not good watercolor brushes. · A photograph that has some type of architecture in it: a house, barn, shed, etc.
watercolor workshops (Michael Domina) Watercolor paper: 140lb. cold press paper. I prefer working on Arches, quarter-sheet size 15 x 11 or larger. Use whatever kind you prefer, but a quality brand is recommended. Sketchbook: For planning paintings, sketches and taking notes. Please write your name and address inside, in case it's misplaced. Paints: Tube paints in any size, Divinci, American Journey or Winsor Newton are good brands, but any brand will do. Alizarin crimson, cadmium red, french ultramarine, antwerp or winsor blue, new gamboge, raw sienna and burnt sienna. Optional colors; cadmium orange, winsor red, cobalt blue and violet or your choice. Palette: A palette with deep wells and a cover to keep paint moist is best. My favorites are the Pike andCheap Joe’s palette. Brushes: Quality not Quantity! To start, have a 1" flat, 1/2" flat, #8 or #10 round. Optional; old tooth brush, bristle fan brush, #4 rigger, 2" flat. Robert Simmons brand are good brushes at a modest price, build your supply as you can afford them. Odds & ends: Water bucket, tracing paper, graphite paper, tissue or paper towels, small natural sponge, single edge razor blade or old credit cards, salt, ruler, soft leaded pencils (3-9B), kneaded eraser, masking fluids, spray bottle and pieces of plastic wrap.